If w using new or unknown material it is best to test it with different settings of the laser’s speed and power to achieve desired effects. When the material is measured and laser knows the working area then we can start printing. The head has to be set about 3 mm above the material so the light does not burn the material.
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The user set the colours assigned to certain laser actions.ĭavid showed me how to program laser’s working area and adjust the height of the head.
After this, the colours of the vectors can be changed depending on what effects are desired.Ĭut Effect Palette Editor where user can set the colours of selected vectors. When the AI file is imported into Ethos, the engraving, no cut, cut-through and kiss cut lines’ colours need to be set. David explained me all the functions, tabs and buttons so I briefly know how it works and how to use it.Īnswering my question, I got to know that the easiest way is to create the AI file with all the vectors in black (RBG 000), then print the design and colour the elements that need to be engraved, no cut, cut-through, or kiss cut* (*very light engraving, the surface is just ‘kissed’ with the laser beam) with different colours, as Ethos does not recognise colours of the design. The files we want to be printed need to be imported to APS-Ethos laser cutter software. This included turning on the power sockets, turning on the machine, opening the air flow valve, checking and setting the air pressure. We started with introducing me to the machine and steps that need to be taken before the cutter is ready to use. I had my induction with David Bentley, Fabric Production Technician who was really helpful person.
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The machine I’ve been trained to work on- FB Series Laser Cutter, bed size A1. At first I thought this might be difficult as I take responsibility for the machine, my own safety as well as others, but then I started to think about benefits such as learning new skills, fun of making things on my own and personal engagement in making process. To be honest I have not expected to be trained to use the laser cutter on my own. As I mention before, the main reason I wanted to see David was to ask about colours of cutting and engraving lines in the AI file as different printing services have different requirements of colours used. In Textile department students are trained to use the laser cutter and print the work on their own. I found laser cutting an ideal solution as I’m confident in using Adobe Illustrator and creating vector graphics.Īs my project is concentrated on laser cutting I decided to show my file to technician to check if the settings of my Adobe Illustrator file are correct. It is a perfect solution to create complex designs without starting with no skills except imagination. I decided to use a laser cutting as it is a great option to synthesise handcrafted feel of paper cut-outs with use of digital technologies. If I would try to get the practice I could make it but at this stage I didn’t have time to go into something absolutely new to me. Paper cutting requires training and practice to achieve perfection in using cutting knife. It took me four hours to cut-out just few elements. I tried to do one paper cut-out but I wasn’t too happy with the results. I decided it’s not the best technique for my project as my work wouldn’t be at lever I’d like to present it. I watched many tutorials how to create kirigami architecture but it requires lots of precision and time. And then, printed out to use them to cut with. Before the final hand cutting process, the images are composed with the use of the digital software. Her designs explore the tension between man and the environment in the context of power, sacrifice, and survival. She takes inspirations from gardening magazines, medieval illustrations, Baroque landscape paintings, Chinese and Indian comic books, Mughal and Persian miniatures.īovey Lee is Chinese paper artist based in Pittsburgh, USA. She believes that paper was invented to tell stories, so it is the perfect medium to convey her fantastical imaginings. She specialise in buildings of master’s architects and abstract sculptures.Įmma van Leest is an Australian paper artist. Ingrid studied his work for years and then started to design herself. Ingrid Siliakus is a Dutch paper architect and artist. Her interest in paper architecture was inspired by work of Japanese architect and professor Misahiro Chatani. The technique is similar to origami but based on folding and cutting a single sheet of paper. I discovered very interesting technique of 3D architecture called kirigami. Before I decided to do laser cuttings I was looking at paper cut-outs.
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